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Author: Reporter Kim Min-ji
Photo credit: Seoul International Ballet Company
Kim Ki-min, the first Asian principal dancer at Russia's Mariinsky Ballet for seven years, is set to perform on the New York stage next month. A recipient of the "Benois de la Danse," often termed the "Academy Awards of Dance," in 2016, Kim has previously been invited as a guest dancer to both the American Ballet Theatre (ABT) and Paris Opera Ballet (POB). This esteemed ballerino will take on the male lead in the Korean creative ballet "The Little Mermaid," introducing the production to New York audiences for the first time with support from the Korea National University of Arts (KARTs), the Korean Cultural Center, and the Kozlova Competition Foundation. This performance is anticipated to act as a catalyst for Korean creative ballet's global expansion. We spoke with Kim, currently residing in Russia, via a voice interview.
Kim Ki-min, is it inconvenient for you to conduct this interview over voice calling?
I'm walking down a street while talking to you now, so it's fine. (Laughs)
You're performing in New York this October?
Yes, that's correct. I visit New York almost annually since joining Mariinsky, but this Little Mermaid production is a collaboration with KARTs, not Mariinsky.
Having "The Little Mermaid," a Korean creation, premiere in New York with you involved seems significant, doesn't it?
Personally, I think "The Little Mermaid" is a cornerstone work at KARTs. Many dancers have grown through this production and advanced internationally. I'm delighted to perform it in New York, recalling the guidance from my instructors. It's meaningful to participate in this work again and debut in New York, renewing my commitment.
You have performed with Mariinsky, POB, and ABT. Can you briefly describe the differences among these companies?
While it's complex to detail differences, I've noticed variations in audience reactions. For example, American audiences seem a bit freer in their applause and reactions, reflecting their unique cultural sentiment, which affects the dancer’s on-stage feeling.
Do you think you’ve raised Mariinsky’s recognition in Korea?
If my presence increased awareness among Koreans, I partially agree, but Mariinsky itself is already a world-renowned institution. It's an immense honor to be part of such a historic company.
As the first Asian principal at Mariinsky, what does that role mean to you?
Having joined Mariinsky seven years ago and promoted to principal dancer four years later, my roles are critical in each ballet, representing the company. It brings great responsibility and motivation.
How did you feel about winning the Benois de la Danse?
It was an enormous, unexpected honor for which I am truly grateful.
Did receiving the award affect you significantly?
Being featured in the news, more people in Korea learned about me, but my approach to dance hasn't changed. The award affirmed my efforts and motivated me further.
What do you prioritize to enhance performance quality?
While technique is important, conveying emotion and artistic energy to the audience is key. I aim to be a performer who effectively communicates through dance.
When did you first see ballet, and how did you start dancing?
I first watched ballet around age nine. The performance moved me to tears, and I wanted to deliver similar emotions to others. My mother encouraged broad interests, which led me to dance.
Having reached global prominence, how do you envision your future as a dancer?
I'm proud of my education in Korea. Many pursue training abroad, but I'm grateful for the opportunity to go from local education to the world stage. I aim to contribute to Korea becoming a ballet powerhouse.
What advice would you give to aspiring ballet dancers?
One should not be confined by notions of 'right or wrong' in art. Embrace various experiences, and do not fear trying new things.
Have you thought about making ballet more accessible?
I agree that ballet can seem difficult. It requires sharing performances with audiences through collaboration amongst accomplished Korean dancers worldwide.
Can you introduce the ballet "The Little Mermaid"?
Adapted from Andersen's fairy tale, it was choreographed by KARTs Dean Kim Sun-hee and debuted in Korea in 2001. This landmark work symbolizes KARTs’ growth and celebrates its New York introduction.
We hope "The Little Mermaid" will broaden its horizons globally with this performance in New York.
Given its artistic value, I believe it will, and I hope many come to appreciate Korean ballet's beauty and inspiration.
Thank you for your time, and see you in New York October.
