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Author: Kang Soo-Rim, Guest Editor
Photo Credits: [Mam&i Editorial Team]
In every era, certain artists captivate the public with trending songs. Clon, a male duo, called out for listeners to let go of their stress with the refrain, “Kungtari Shabara Papapapa.” This song was so popular that it surpassed 1.6 million views on YouTube, leading some to claim, “If you don’t know this song, you’re not Korean.” The striking appearance and captivating dance moves of Clon shifted the paradigm of music enjoyment to a visual experience. Now, Koo Jun-Yup, one of Clon’s members, has visited the U.S. for a performance.
Compiled by Mam&i Editorial Team
During the peak of Clon’s popularity, a sudden accident involving fellow member Kang Won-Rae led to their quiet departure from the spotlight. However, Koo Jun-Yup, talented in various fields, re-emerged as DJ KOO. It has been a decade since he took up this new role, showcasing his skills, notably at the Pyeongchang Paralympics. Though he’s moved away from the glamorous world of dance and song, he continues to maintain his presence as an entertainer.
Hello Koo Jun-Yup, you’re very active as a DJ lately. Did you visit New York for DJ-related work?
Hello, I’m DJ KOO. I came at the request of a performance for the opening of a Korean club, Mission, near K-Town. It's a pleasure to greet readers through this medium.
It’s been ten years since you transitioned from a celebrated singer to a DJ.
As you know, after the accident involving my friend and member Kang Won-Rae, it seemed unviable to continue Clon’s activities. I pondered a new direction and found my calling in DJing. I started as DJ KOO in 2008, and it’s been a joyful journey.
There must have been resistance when a famous entertainer transitioned to being a DJ. How was it?
Initially, I faced a lot of criticism; many felt threatened, thinking I was encroaching on their turf. But as I persevered in my DJ pursuits, those voices subsided, and now I have good relations with other DJs.
Liking EDM requires a particular passion and understanding. Why the preference for club music or EDM?
I debuted as a backup dancer because I loved dance music. EDM resonates with me, fueling my interest in it.
Last year, you released Clon’s 20th anniversary album, 'We Are.' How was it received?
Releasing 'We Are' marked my return as a singer after 12 years. While I tried to incorporate new production skills, producing EDM-centric tracks was unexpected by fans who favored Clon’s older style.
Returning to perform with Kang Won-Rae must feel different than in your 20s.
Not being able to dance together like before is a notable difference. It’s regretful not being able to showcase Clon’s enduring spirit.
Your talents span various fields, from DJing to painting. What’s the source of this artistic inclination?
It seems I’ve always had an artistic side, evident from my top entry into university with a scholarship in art. This might explain my dedication and interest in all artistic endeavors.
Which field best represents you now?
Currently, I’d say it’s DJing.
Your role in the Pyeongchang Olympics must have been rewarding.
Actually, contrary to reports, I wasn't the music director but DJed during breaks. I concluded the Paralympic opening with a Korean folk remix—which was well-received.
With such diverse activities, how do you maintain your health?
Eating well is vital, though I try to limit my intake to avoid weight gain.
How has the perception of professional DJs evolved since you started? Any advice for aspiring DJs?
Since DJ equipment isn’t too challenging, many pursue DJing without musical knowledge. However, it demands significant musical understanding and versatility. Building musical knowledge and practicing instruments along the way can be incredibly beneficial.
What are your future plans?
I have several festivals and events scheduled this summer, with plans for new releases as a producer. I hope for continued support and interest.
Thank you for the interview. We look forward to more of your DJ performances both in Korea and the U.S.
For more, listen to DJ KOO's remix on SoundCloud here.
