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On the Way to the Artist's Studio
As I made my way to the artist's studio, the Manhattan skyline slowly disappeared behind the streets of Brooklyn. I sent a text indicating my imminent arrival and felt a slight tension upon seeing her waiting at the entrance. Perhaps it was the impression from reading her biography, suggesting she was no ordinary person, or maybe it was the calm and solid aura she projected that struck me even from afar. However, our conversation in her basement studio with a charming backyard quickly turned that tension into intrigue and enjoyment.
Kira Nam Greene, a Stanford political economics graduate with a master's degree in art, possesses unwavering core values unfazed by any storm. She is a person who exudes elegance wrapped in ease. Introducing herself through her work, she softly yet strongly achieves her desires.
"Thank you for joining us for this interview. I first became curious and intrigued by your biography, noticing that you pursued political economy at Stanford before turning to art."
"Yes, I was interested in politics since high school. In Korea, students often choose their majors based on college entrance exam scores. I too contemplated between foreign languages and international relations. Luckily, I was admitted to Seoul University’s international relations department with a high score. I later completed a doctorate in political economics at Stanford. I worked in economic management consulting in Silicon Valley, handling consultancy for startups, and aiding in acquisitions by larger companies."
"You transitioned to art after achieving a stable career and walking the path of an elite. What prompted this switch?"
"At some point, I felt my life was running like a hamster wheel. I then experienced a serious car accident, leading me to momentarily quit my job. Afterward, I pondered deeply about life quality. I stumbled upon an oil painting class at a community college, sparking an instant love for painting. It was likely the first time since high school that I formally learned painting. I then pursued a bachelor's at the San Francisco Art Institute and a master's at the School of Visual Arts. My parents were quite worried since I had followed an elite educational path, but my passion for painting ultimately guided me. In 2002, I began my artistic career in New York."
"Was it challenging to leave a stable job, move from Silicon Valley to New York, and enroll in school again?"
"For me, making these decisions was relatively easy. Working as a consultant provided financial leeway. Although the question of life’s safety and change lingered, I felt a strong pull to come to New York for art. Enrolling in school allowed me to paint and network, as I knew no one in New York. I’m not certain now, but at the time in 2002, SVA’s tuition was relatively affordable."
"Returning to your work, could you elaborate on your concept?"
"I’m currently working on a portrait series that began when Donald Trump was elected president. During that period, with movements like Me Too and the Women’s March highlighting women's rights, I became more focused on feminine art, collective action, and women's power. My pieces embody powerful, inspiring women, all my friends. They are remarkable individuals living their lives with pride and showcasing their capabilities. Included are a choreographer, an opera singer, an architect, and an artist. I aim to depict them as historically significant figures, illustrating women’s hidden symbolism and strong presence."
"The symbols, objects, and patterns behind the figures differ. Do they hold specific meanings?"
"The narrative shifts according to the individual’s profession, life, and background, featuring various hidden symbols in each painting. Before painting, I discuss with them, showing them historical portraits dominated by male figures. They choose ones that resonate, sometimes bringing their choices. My work draws inspiration from the 1970s’ Pattern and Decoration Movement, where women’s crafts and decorations were elevated to art amidst the ubiquity of Minimalism and Conceptualism. Common elements in my art, inspired by Korean traditional designs in yangban libraries, reflect my identity and heritage, as well as artistic diversity."
"In addition to your artwork, you teach at Parsons Design School."
"I mentor graduate students part-time, meeting weekly to provide one-on-one guidance, critique, and support. My students major in various disciplines like painting and sculpture. It’s an ideal role for me, offering a means of social interaction beyond my studio work. I cherish discussing art with them and watching their work develop."
"Do you usually start your day in the studio?"
"My schedule varies with exhibitions. I’m currently busy finalizing work for my solo exhibition at the end of October. Typically, my day begins with tea and a newspaper read, followed by 30 minutes of yoga or stretching. I then work until around 8 PM. If not too tired, I might watch a film or meet people. When extremely busy, I might work until midnight. During downtime post-exhibition, I might visit galleries or museums, or attend operas or concerts."
"Do you have any hobbies?"
"An artist’s skill isn’t just about creating art; understanding and embracing culture and trends is crucial. Thus, I make efforts to engage with theater, the Metropolitan Opera, novels, and arts trends. I also love hosting and cooking for friends or traveling to meet them. I once accepted an invitation to Germany from a collector of my work."
"I hope to hold a solo exhibition in a major museum and exhibit in Korea, where I haven’t shown my work yet. As mentioned, I love traveling, and learning languages is another passion. I currently know French, German, Italian, English, and Japanese. I’m reading a detective novel in French, aspiring one day to live in France for a year to immerse in the language. Lastly, I believe success isn’t one-dimensional. Exposure to American culture has broadened my perspective on success and a fulfilling life. I aim to succeed doing what I love."
Kira Nam Greene
Stanford University political economics graduate turned artist, studied at the San Francisco Institute of Art and earned a master’s at the School of Visual Arts. She works in a stylish Brooklyn studio and is an adjunct professor at Parsons School of Design.
