Magazine
A legacy-driven media platform documenting Korean excellence in culture, economy, and identity
By Gabi Choi
Photo by Hyunkyung Ryu
In the historic city of Gyeongju, rich with traditional culture and history, artist Hyunkyung Ryu was shaped by the profound cultural sentiments she experienced growing up. Her work encapsulates these memories and consciousness, fusing ancient elements with modern expressionism to create a minimalist modern aesthetic that evokes a sense of enduring novelty. Ryu believes that part of her mission as an artist is to find the perfect materials for her pieces. We invited her for an interview with "Mom & I Artist."
Hyunkyung Ryu studied Western painting at Ewha Womans University and its graduate school. While teaching at various schools, she moved to New York in 2007, intent on focusing solely on her art. Ryu has held solo exhibitions at Tenri Gallery, Riverside Gallery, Yegam Art Space, and recently participated in an exhibition by the Fort Lee Art Group. She currently resides in Fort Lee, New Jersey.
Ryu, who had a significant age gap with her siblings, often spent time alone as a child, fostering an interest in creative activities. Raised in the historic and beautiful city of Gyeongju, she frequently painted landscapes outdoors. Despite not attending formal art classes, her talent was recognized through frequent participation in art competitions, eventually leading her to pursue art instead of her childhood dream of becoming an architect, encouraged by her teachers in high school.
Ryu's works are modern and simple, reflecting her preference for clean and elegant designs. Her technique involves embossing effects on delicate fabrics with acrylics and mediums, reminiscent of luxurious silk and Japanese kimonos. Her motifs include the modern materialism of New York and the loneliness of contemporary life, expressed through subdued metallic tones over weathered iron plates. Her art captures the cycle of life and death, integrating traditional Korean patterns with modern luxury logos.
Her works are rooted in the history and nature of Gyeongju, where she spent her formative years. While her previous works in Korea were abstract and informal, her time in New York has led her to express her Korean identity more explicitly, evolving her work to balance tradition with personal expression.
Ryu's pieces are often described as unique and sophisticated. Although not driven by vivid colors, they possess a refined elegance that draws attention and prompts inquiries about her materials. She is noted for assembling her canvases and preparing all foundational work by herself, employing diverse materials in her artistry.
Ryu explains that painting is a fate-driven necessity, compelling her to persevere through difficulties. Regardless of societal recognition or sales, she continues her work, regarding painting as the creation of a truly authentic expression.
Ryu emphasizes the importance of material research for creating exceptional art. She visits museums and galleries, drawing inspiration from other artworks, magazines, and everyday objects to inform her creative process.
Ryu initially had little interest in selling her art, preferring to focus on work she loves. However, she acknowledges the challenges of managing exhibitions and sales alone, eventually applying to the Fort Lee Art Group, confident in its expertise. She hopes this collaboration will forge connections beneficial to both artists and collectors.
Ryu asserts the importance of rarity and value in art, viewing modern art as a battle with materials. She is exploring convenient and portable embroidery works, planning to unveil them soon. Her perspective on exhibitions has evolved; she now desires meaningful presentations, potentially outside traditional galleries. Collaborations with Fort Lee Art Group are being considered for various settings, along with personal projects promising a busy schedule.
Chloe Hyunkyung Ryu
Saga Art Studio Director
hyunkyungryu.com
Solo Exhibitions:
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